He can't help but notice how reliably Emet's tone drops into the funereal when an apocalypse is brought up.
What Dirk finds even more interesting, though, is Emet's narrative--how effectively and efficiently he reframes the specifics for his audience. There's something gripping about hearing the same connections Dirk made between their stories and roles spoken aloud, and yet in reverse.
"Thank you," Dirk says, folding his hands in front of him, as though that settles the matter.
"And with all that said, you will probably hook more fish by calling it a 'gay bar.'" He enunciates the last two syllables so distinctly that it offsets them even without finger quotes.
"If Steven's having such a gay old time that he's chasing wedding bells, it's probably not that far off whatever idyllic homosexual fantasy environment he'd imagine."
The not me, though is silent but present.
He shifts, resting his chin on his hands.
"Maintain your image, dress like you don't suck dick, dream about marriage and kids and a picket fence."
cw 'gay and homophobic'
What Dirk finds even more interesting, though, is Emet's narrative--how effectively and efficiently he reframes the specifics for his audience. There's something gripping about hearing the same connections Dirk made between their stories and roles spoken aloud, and yet in reverse.
"Thank you," Dirk says, folding his hands in front of him, as though that settles the matter.
"And with all that said, you will probably hook more fish by calling it a 'gay bar.'" He enunciates the last two syllables so distinctly that it offsets them even without finger quotes.
"If Steven's having such a gay old time that he's chasing wedding bells, it's probably not that far off whatever idyllic homosexual fantasy environment he'd imagine."
The not me, though is silent but present.
He shifts, resting his chin on his hands.
"Maintain your image, dress like you don't suck dick, dream about marriage and kids and a picket fence."