amaure: (421)
Emet-Selch ([personal profile] amaure) wrote in [community profile] victory_road2020-09-01 01:41 pm

I trust that this is worth it, but (closed)

Who: Dirk Strider and Emet-Selch
Where: Dirk's suite at the rocket base
When: Forward dated 9/11
Summary: Dirk and Emet are returning from going to the theater together, Emet has some bad news...
Rating: pg-13 cuz Dirk's got a dirty mouth and there's bound to be cussing.


It had been a perfect evening. At least, on the surface it would seem that way. Certainly, Dirk had been gracious enough to agree to go to the theater, to watch a play with Hades, to indulge one of his greatest passions. The play in question had been this universe's version of Hippolytus, comically named Hipponytas. Besides the universe specific touches, it otherwise played out pretty damn accurately to that which had been familiar to Hades himself (though of course names were different, and certain contexts changed), as well as the play that Dirk might have read about in his high-rise oceanic prison back on Earth. If he ever did.

If the play didn't pull Dirk in, then Hades' own reactions would likely do the job. Truly, it was like he was transported to another reality as he watched it, as he beheld the spectacle. So attuned to it with his emotions, so captured by the performance which was surprisingly good. Throughout it there were times his gloved hand would find Dirk's own, holding it silently as his gaze stayed transfixed on the drama.

Small gestures that seem to show that while he is utterly enraptured in what's before him, he has not forgotten Dirk. In fact, if anything at all, his company makes the experience all the better. All the more meaningful, and the freedom to express that while appeasing Dirk's need for privacy is why he shelled out the dough to get them box seats.

By the end of the performance, it's rather clear that Hades has enjoyed it—even if he has some criticisms that was less with the actors, and more with the cultural changes done to the performance he knows so well, but...there's little to be done about it. That, and its importance paled in comparison to the emotions swirling inside of him as they made their way back to Dirk's. He could have suggested his place, it would have been a little less weird going to the radio tower at this time of time, dressed how he is, with knee high leather boots, and form-fitting black pants to match, but...

The fact Dirk had joined him as he did, paired with the honesty and trust that Dirk has repeatedly placed in him, is what pushed him to decide that Dirk's own residence would be best. He wants him to be comfortable, somewhere that might bring him more ease when he speaks to him about what he must. What's been eating at him for a while now, pushed to the back of his mind, but with each continued act of loyalty by his lover, it ever pushes itself forward. But mostly, it would give Dirk somewhere he could stay, instead of being forced to leave should this go poorly, which it likely would.

'You know you can tell me anything'

A phrase that has been stuck in his head for...far too long. The guilt it inspired has stayed just as long. It does not lessen even now, as they stand in Dirk's den, decorated with his passions, his quirks, his love. Pale eyes scanning the area, taking in the details of it as he looks anywhere but at Dirk, the guilt starting to permeate his expression, and he knows it. A sharp twinge in his chest manifesting the moment his eyes fall to the Amaurotine puppet, and perhaps that's what finally bids him to speak of the matter.

Gaze fixing on Dirk, he offers him a soft and solemn smile as he does not move from his place at the door.

"I cannot thank you enough for joining me this evening, truly it means more to me than you may imagine," he begins, and while he does sound as grateful as he's implying, there's tinge of sorrow to his tone. The telling slight quaver to his voice that his expression does a poor job of combating.

"However, it would be remiss of me to pretend there has not been something troubling me. Something you should be made aware of, and as you told me once before, I know well I can tell you anything, yes?"

He's not...trying to be manipulative here, and he's certainly not trying to imply that Dirk has no right to be angry with what he's about to say. In fact, he hopes he is, he hopes he feels...something. Shows something, anything. Dirk hides so much, but he shouldn't hide this.
uber_marionettist: (Because he's racing and pacing)

[personal profile] uber_marionettist 2020-09-02 06:42 am (UTC)(link)
The play was pretty fascinating, as an experience. He wouldn't have complained (much) regardless (at least, he'd have kept his criticisms as minimal as he ever does), but theatre was one of those interests shared by Dirk and Hades both--and since Hades paid up for MVP status, it was almost homey, in a fucked-up kind of way.

As the play went on, though, Dirk found himself less fixed on the action than Hades. Maybe it was because Dirk found this form of theatre somewhat slower than he usually liked. Or maybe it was because he knew the play as it existed on old Earth, and so already knew what was going to happen, generally and specifically. While Hippolytus, now Hipponytus, was rich in both drama and pathos, the loss of suspense was still felt.

Dirk also had expected going in that there would be some... changes. He wasn't wrong, but even though he'd predicted them, they could be somewhat distracting. At least they also added element of excitement--not just in the knowing, but the added thrill of the occasional shared glance with Hades (as much as any glance could be shared through a pair of polarised shades), that synchronised moment of mutual awareness, the connection between them forged by an instant of joint recognition.

What he did not anticipate out of all of this was how utterly rapt Hades' attention would be, how devoted he would be to his love--

No, really. Dirk would have sympathised with a predilection for getting 'sucked in' to any media or activity that really spoke to his passions, and there's really no mistaking the intensity of Hades' concentration. But instead of forgetting Dirk in the thrill, Hades' hand keeps finding his at the oddest times--gratifying him, surprising him, warming him.

And by the end, he was watching Hades' face as much as the stage. There is something innately magnetic to him, a view riveting both in profile and in contrast with the stage lights, maybe just something about the sight of the man truly focused. It must be in the way Hades' august features change, detail by picoscopic detail, for an effect both minute and somehow simultaneously wholistic--

So, you know, that was more than all right with Dirk.

Dirk's assumption is that Hades chose his "place" for a reason, and that's all right with him, too. Walking back in the sticky summer air, with Hades in those tight pants and a perfectly tailored suit coat that does little to hide the shape and movement of his finer features.... there are layers to it, the way any really good time is never just about one sentence, or even all of them, not the ones you write down.

And just like all moments--

Just like any other good memory--

This one doesn't last.

Dirk grows aware, gradually and then less gradually, over the course of a short minute or two, of a gradual and then less gradual difference. The way Hades doesn't follow him in, not all the way, not the way he has been. The way his face is set, the expression suggestive of enjoyments neither past, present, nor future. The tone he takes, even before his words form an entire sentence, let alone an entire thought.

It's something Dirk senses, literally--his every sense alerting him to the mood, the simple 'fear' grown from 'dread,' the fear that grabs hus rogans in a violent fist and yanks them down into the bottom of his guts, the burning, all-encompasing heat that he becomes aware of retroactively, suffusing his body like a memory and a prediction. The breath he realises he never took--

Scenarios, answers, roar through his head, slamming into each other, piling up, stacking, a catastrophe of catastrophising, he doesn't love you, he doesn't love you enough, he's figured out how to leave and he's doing it alone, Hythlodaeus is just too much of a dealbreaker after all, you fucked it up, you fucked it up and you didn't even know, you fucked it up and you do know when and how, you do--

Dirk is prescient enough to know that the seconds as he feels them are not as many nor as long as the seconds as they truly pass.

"... yeah, I did say that." He breathes. He swallows nothing, his mouth and throat dry.

"This is sounding pretty serious, so let me sit down. Wouldn't want to treat this with anything less than the gravity it deserves."

What the fuck is he saying? Who cares if he's sitting. What's he going to do, have a fainting spell and swoon onto the goddamn mattress? Too late now. He's said it so now he has to pick a spot--if he takes the chair, it'll be less weird probably. But that also means Hades is trapped standing, unless he has some kind of breakdown... fuck it, bed it is. Who cares how big the height difference gets. Maybe Hades will sit down too and they can talk about this like actual adults. Wouldn't that be incredible.

He's stalling. His own brain is stalling him. Except he already ran himself out of stall.

"Now that I'm nice and comfy, let's get the proceedings in progress. What's on your mind?"
Edited 2020-09-02 07:42 (UTC)
uber_marionettist: (When there's no one left to pawn)

[personal profile] uber_marionettist 2020-09-03 04:38 am (UTC)(link)
The truly fucked up thing is, the higher order of Dirk's thoughts 'understands' it. Hades is barely halfway through his explanation, has only just begun to speak of mortals and manipulation, and Dirk 'understands,' knows exactly where the rest of this excruciating and drawn-out ouroboros of a confession is going, because Hades has already said it, he's said it a hundred painless times before. Not in words, not to Dirk, but to his face nonetheless. And he gets it. He gets it, as the 'understanding' rips through his skull; he gets it and already he feels sick, nauseous in the most literal of ways.

A thin, cold current of thought almost forgives him. Says 'you understand' and 'you're the same,' and he almost says that, really almost does. He remembers Hades standing over him as he straddles a chair, his pale eyes too bright, chiseled face too close, white-gloved hands too free. He remembers how easily Hades took him at his every fucked up word on that rooftop, before they ever exchanged a single blow. He remembers his doubts, his pride, the mutual game of pursuit. Every emotional high, every desperate effort. His thoughts grow to a roar, his heart beating louder and louder with steady, relentless rhythm of the ocean. The inside of his head is deafening and he presses his jaw back firmly, swallowing the knot.

It lodges in his chest, splitting into two--one above his clavicle and again below his sternum. He's hollow. He's full of rigid spheres and angular protusions. The sound of his own machinery drowns itself out, endless and without echo. He opens his mouth, thinking he's going to throw up, or stop breathing. But he has too much control over himself for that.

"It must have been so hard for you, waiting three whole months before you smashed me into the dirt." There's a bite in his voice, a venomous serpent he knows intimately, but there's no reason to hold it back now.

"I can't decide who's stupider. Me, for convincing myself otherwise every single god damn day for ninety-two consecutive days? Or you, for telling me on the ninety-second day of all days?" What he feels is his breath shaky in his body, his muscles taut; his blood is rushing everywhere and nowhere through a hollow shell he barely inhabits, his the sense of sight is experienced through a film of liminal white.

He licks his lips, all attempt to control his expression forgotten--leaving his face tight and stiff and closed off, like a noose around the throat.

"Why?" His voice cracks, but the rawness of his throat isn't from grief. That's what he tells himself now, what he's fulfilling as prophesied.

He's mad. He knows he's mad, knows that's his anger, all right.

Knows that anger doesn't matter.

"That's what I really don't understand. Why the fuck now? Why tell me at all? I don't know whether I should even be asking why you waited so long, or why you didn't wait longer. So which is it?"
uber_marionettist: (Your soul is able)

[personal profile] uber_marionettist 2020-09-05 02:01 am (UTC)(link)
Love..

"Fuck you," Dirk says plainly.

No venom, no anger; just two flat, unadorned syllables, spoken rather than spat.

"Do you ever listen to yourself? I have to assume the answer is 'no,' because otherwise the hot load of steaming horseshit you just shot wouldn't have left the loading chamber." Did Dirk just mix an unsanitary barnyard analogy with a comparison between Emet and a revolver pistol? Yes. Does he give a fuck? No. Has he noticed? Also no. He's not so much barely hearing himself as he is hearing himself with hi def clarity, an audio broadcast transmitted from another time and place, a splinter's memory experienced in real time. It's him, and he's there, but he's not. But he is.

He is and it hurts. It hurts like it's his own, not because it is (but it is, it is and it hurts like it) but because--where was this thought even going. There is no thought there any more, no thought remaining that fits that narrative.

Even his face hurts. Why the fuck does his face hurt.

"I didn't ask you to... to love me," it's ripped out and dropped into the sentence, dripping with disgust. Out comes frustration, disbelief, anger... for all of two syllables before it's caught and reeled back in sharply. "You call this respect and dignity? You don't even have the guts to pull the plug. To take this farcical two-person horse costume act out behind the theatre and blow its liquefying brains out yourself. You're just pulling the hood off in front of me... and, and waving it around while playing Dirk Strider for the exact fucking fool you claim to believe he's not."

He can't sit here any more. Not when it's like this, with his shoulders hunched, angry and pained, his back ramrod straight. He stands up and starts moving--not towards Hades but parallel to him, like he's circling.

Maybe he is. Maybe he will be.

Circling the drain? Or like a predator? Can it be both?

"I commanded you obey one term to a common goal, and you decided against it. You wanted to make it about love instead. Fuck you. Why did you think I wanted--why would you ever, would you ever fucking think I wanted any part of it? Don't answer that. I'll answer it. You didn't, and I don't. And you knew. You knew it. You knew, and you knew you couldn't do that and be fucking honest at the same time. So you chose--"

He stops at his own door, which is (thankfully) closed, and spreads his arms wide.

You chose this.
uber_marionettist: (Paint me as a villain)

[personal profile] uber_marionettist 2020-09-06 03:21 am (UTC)(link)
"You're not afraid of my anger because you think I can't hurt you."

It's not an epiphany. It was, once.

Once upon a time, Jake broke his heart. And then he broke it again. And again. And again.

So Dirk started breaking Jake's.

Now Hades turns him down the same path, but he's much too familiar with the pain; he doesn't flinch any more.
"As far as you know, you have every advantage here. You've had months to think about it, to know it and--and prepare yourself for it. To twist this knife as deep as you can. Does it hurt you less to think you're not the only one stupid enough to fall for it? That I'm like you in any way? Well, you're wrong."

Stomping, mincing, and dragging himself over hot coals and broken glass in turns. He takes a step towards Hades.

"You're so fucking wrong."

Then he sidesteps, taking up the Amaurotine puppet from the desk. He studies it, and notices his hands are shaking.

Why are they shaking?

Adrenaline.

Probably adrenaline.

It has to be.

.....

With concentration, the trembling stops.

Only then does he speak up, although 'up' is a bit misleading--it's quieter than before, but less hoarse.

"I have the power to destroy you and your little domestic fantasy, and I've had it since practically the beginning."
uber_marionettist: The unavoidable sun (Here it comes)

[personal profile] uber_marionettist 2020-09-06 04:47 am (UTC)(link)
"Don't," he starts, cold and short. "Compare us."

His grip on the puppet tightens, though he does nothing to it either toward or untoward. Not yet.

"You and I are nothing alike."

He doesn't want Hades to just... to just accept this. He wants Hades to show him... show more than that.

Pain. Grief. Fear. Anger.

Something.

Anything.

It's cruel. It's cruelty on his part, but he's always been cruel. At his highest peak and his lowest point both, his cresting waves and his abyssal trenches. Each one of the million, billion grains of sand on his shores and beneath his benthic zones, lives and selves simultaneously distinct and indistinguishable, timeline after timeline doomed and forgotten as memory after memory comes crashing into him, through him until he is the memory, he is the ocean, he is the sand and surf. He is his Ultimate Self.

And the Self is cruel.

"You'd do well to remember nothing here is real."
uber_marionettist: (War is never cheap dear)

[personal profile] uber_marionettist 2020-09-06 06:07 am (UTC)(link)
"Fucking finally."

Dirk doesn't dig in his heels; he raises himself up, lifting his head and squaring his shoulders back instead of simply even. It may be that were he still capable of flight, he would be placing himself at Hades' true eye level.

"And there's my answer."

Fearless cruelty and contempt are communicated instead in his posture and his voice. In the one-second-long uptick of one corner of his mouth before it drops back down into that unforgiving line.

"You really are that stupid."

It's so easy to say.

Sure, his heart may feel like it's on literal fire. It burns with an intensity that's physically painful. His ribcage contains a fucking inferno, and it's burning him alive from the inside. But his mind is icy, cold. A vast monolith.

Then he realises--no. It's the opposite. His brain is on fire, burning everything down, razing his thoughts and himself and the people around him, the 'person' 'in front' of 'him,' and it's going to reduce it all to ash. It's his heart that's cold. A solitary sphere of absolute zero.

But no. That's not it either.

There's a lot of to-do about ice and fire, and your head ruling your heart, or vice versa. Untold lines of poetry and prose, verse and voice, think not with your heart but with your head and whatnot.

That's wrong.

Maybe not for everyone.

But for him, he just has to think with whichever one is colder.

And right now--

He has no problem with that at all.

"Atonement? Don't make me laugh. You couldn't possibly. There is no 'it and more.' There's nothing. Absolutely jack shit. I will take your 'assistance' with my escape, but if I leave you behind, it won't be because you deserve it. If I tell you what I know, it won't be because you deserve it. If I withold what I know from you, it won't be because you deserve it."

What Dirk deserves, what Hades deserves is his suffering. Equal or greater--but circumstances, he is starting to understand, demand that it wait, to be paid with interest.

There's no satisfaction to be had in telling him now. Not when he's ready for it. When he's waiting to be hung from a rope he measured out himself, tied off himself. Sure, it might 'hurt.'

But 'hurt' isn't enough. Not when it's this.

"You deserve nothing. Because that's all this is. Absolutely fucking nothing."

He glances at the Amaurotine puppet one final time, then thrusts it pointedly into Hades' chest--where the 'immortal' had better catch it.

"Don't say anything. Just let yourself out. Close the door behind you."

Is he stupid enough to argue?

"Crawl home. Cry. I'll see you at work tomorrow."
Edited 2020-09-06 07:03 (UTC)
uber_marionettist: (Your soul is able)

[personal profile] uber_marionettist 2020-09-07 07:51 pm (UTC)(link)
Hades' hand barely gets close before Dirk smacks it away, backhanding it out of his face. His jaw is pressed tightly enough that the unyielding line of his mouth extends as far back as his face physically allows.

To his credit, he doesn't apply nearly as much force as he could have.

"Did I fucking stutter?"

Jake used to do the exact same thing--to try again, to reach over the lines Dirk drew, to Hope his way to a better resolution.

There was a time when Dirk could count on that, a time he depended on it, a time when Jake's brilliant light was the only light he could see in the darkness. And Dirk--stupid, simple moth that he was--would fly to it again and again, burning himself each time. No stop to rest, to heal, to treat his wounds. If he could just hit it right, he wouldn't need to.

He'd like to say that he's not sure what he wanted, if he ever wanted to be part of the light or if he thought it would be different next time or if he simply counted on the possibility that that this time it would kill him. He'd like to say it was any of those things.

The truth is a little sicker, but addiction does run in the family.

"That's strike one. You have until three."
uber_marionettist: (And plotting the course)

[personal profile] uber_marionettist 2020-09-07 11:18 pm (UTC)(link)
"You're going to squat in my fucking bedroom?"

Dirk squints. The complete absurdity of Hades' plan briefly dislodges Dirk from his immovable place of control--which is impressive, because Hades' competition for sheer asininity is Jake English, who could lose a battle of wits with the literally brain dead.

"That's your plan? Never mind how fucking creepy that is--which it is, you goddamn reprobate--you think you're going to mitigate my 'suffering' by forcing me to suffer your presence?"

He shakes his head, though not so much in denial and more as though to dislodge something--or perhaps just 'reset' his face so he can wear an actual scowl.

"Do you not get it? This isn't your place any more. It never was. It stopped being 'yours' the instant you fucked your... oh. This is only strike two, huh? Now's your chance. Leave, and it doesn't have to get bad."

His tone alternates between coldly threatening and some kind of sick enjoyment, but there's no mistaking the synergistic menace driping from what he calls Hades next.

"Solus."
Edited 2020-09-08 04:41 (UTC)
uber_marionettist: The unavoidable sun (Here it comes)

[personal profile] uber_marionettist 2020-09-09 02:47 am (UTC)(link)
Dirk is filled with the sudden and intense desire to punch that smug sympathy out of Hades, starting with his face.

It wouldn't accomplish anything. It wouldn't even be satisfying. He knows that, and he knows he's better than that anyway. He'd be pretty justified in cold-clocking Hades, he thinks, dragging the body out in the hall and leaving it there. The gall is literally sickening. The false alarm of reactionary nausea is feeling pretty goddamn real now.

"It seems you want me to feel bad for you."

Here he is, seconds away from puking his guts up with his heart in bloody, acid-soaked chunks, and Hades is just bimbling around his bedroom, draping himself in shameless but oh-so-contrite passivity and superficial penitence.

This martyrism La Croix has got to go.

"This whole thing has been a farce from the start. A fucked-up play, and this is curtains closed. There never was any other story--no B-cut, no secret twist to unlock or alternate endings on the cutting room floor. Sure, the sex was phenomenal, but you got that and better waiting at home, I bet. So what's the problem? It's not my fault you fucked up. It's not my fault you fell for a hoax, and it's not my fault that you mistook me for a counterfeit when the actual lie was pounding you into the mattress. Frankly, none of this sounds like my problem at all, except that you made it my problem by being so goddamn stupid that even I didn't notice when the whole thing reeked."

Self-loathing? Or just plain loathing? Is there a difference? Was there ever?

"Did you notice? Or did you forget to ask because it was too good to ever want to? Think about it. About him. What's the real Hythlodaeus like? Supportive in all the right ways, aiding and abetting you as much as you want, but never more? Questions or challenges only when you're already asking, or else given up on too early? Annoying you just enough to feel like he's the bona fide yin to your yang? Were you always the gravitational centre of his weird little world? Do you remember his opinions only ever mattering when it came to you? Do you remember him only ever digging in his bare feet when it came to you and your happiness, your wants and needs? Is that your fantasy of Hythlodaeus and you? Or is this how you always are? Always were?"

Has Dirk ever hated anyone or anything as much as,

Has Dirk ever loved anyone or anything as much as,

Has Dirk ever been anyone or anything as much as,

"Who cares if he's real? Nothing here is real.... or should I say, 'almost nothing.' And that's where you fucked up. Here you had your ultimate man, your perfect partner, and you were just holding him in the wings while you fucked around with the guy who was suddenly way too real for your conscience."

Now, finally, Dirk's lip curls in disgust--at the same time, the side of his mouth curls up in a perverse half-smile, although it's unclear at whose expense this bizarre expression is meant to be.

"You ought to be thrilled. He talks like Hythlodaeus, walks like Hythlodaeus, fucks like Hythlodaeus, and in every way you personally could conceive of, he is Hythlodaeus. He's the perfect constructed model of your memory, perception, and understanding of anything and everything Hythlodaeus. Your very own 'Brain Ghost Hythlodaeus,' as we in the business call it. Do you understand what that means? He's your emotional-support tulpa, now in the not-so-ghosty flesh. He's just what you always wanted."
uber_marionettist: Did I, did I? (No I never really had it in me)

[personal profile] uber_marionettist 2020-09-10 03:54 am (UTC)(link)
There it is. The snap. The flash of temper that marks, to Dirk, the first moment of real, genuine emotion out of his newly-minted ex. The fact that he had to work so damn hard for it isn't a good feeling, but it stands to reason when he just doesn't know him the way he knows Jake. And in most ways, Solus isn't like Jake. He's sharper, more calculated. He doesn't bumble around, adding one more thing and one more thing and one more thing like he hasn't a clue in the world.

But for all Jake doesn't know, he does know what he thinks he's doing. As too Solus.

Now that Dirk's drawn blood, though, the rules change.

Intimations and inferences--those feeble maybes and ifs--become certainty, become 'intermissions.'

There exists one episode early in Rumble In Da Pumpkin Patch's history which features a stunt wherein Jake insisted on replicating the 'human cannonball' act--this despite weeks of heated argument, and the fact that he could already quite literally fly. The fact that the cannon was being operated by one of those vacant-eyed turtles was no problem to him, but it became Dirk's problem very quickly, to the tune of every ounce of muscle, ass, and wasted brain matter that made up Jake English's corporeal form making impact with the masculine angles of Dirk Strider's exquisitely sculpted face at a velocity that would have been lethal to any mere human.

It is with similar violence that the never-silent, ever-absent presence of Jake English is invoked aloud.

I have adored you like none other has.

Solus could hardly have struck harder, or further below the belt, than he did with those seven words.

Dirk goes completely silent, and he goes very still.

Then he laughs, low and hollow and bitter.

"If you're the only one who can love and understand me, then I guess I really am fucked."

With how raw his throat is getting, even an empty little chuckle actually hurts, so he stops that pretty quickly.

"You really think you're something special. You know what I want. You know what I'll do. What I'll think. What I feel. You love that. You love me. Or you want me to think you do, anyway. How fucked up would it be if you actually did?"

His own voice doesn't break, but it pitches up a little at the end, which he clamps back down on immediately. Gritting his teeth and biting his tongue even as he starts to spiral.

"No one knows more about Brain Ghost Selves than I do, not even him. You know why? You know whose brain I've lived in, grown from, in every timeline and every universe and every reality? You adore me like none other? I can't believe you. Literally. I can't believe a word you say. Either you're stupid, and you're not that stupid, or you really think I am. What do you want? What did I do to--to deserve this? Not the loyalty horseshit you want me to swoon for, the real thing? This... fucking joke?"
uber_marionettist: (War is never cheap dear)

[personal profile] uber_marionettist 2020-09-10 10:01 pm (UTC)(link)
His expression furrows, the space between his thick, arched brows not so much creasing as collapsing under the weight of it.

"Our failing... our? Failing? This is our doing now?"

The corners of his mouth pull down.

"Which is it? Are you taking responsibility? Or are you in it because of me, like it or not? Do I deserve.... deserve 'better,' deserve 'love' and 'attention' and 'care' that I'm denying me, or is it your doing and Jake's doing and everyone else's but mine? If you really know and love and adore me better than anyone else ever could, then how is it not inevitable I'll be cheated on?"

Dirk doesn't pull away from Solus' hand. Instead, he reaches out with his opposite arm, weirdly mirroring the gesture--though he noticeably grips Solus' upper arm with more force then Solus does his own.

And he stands there a moment, unmoving, his head bowed in thought while he turns that one over in his mind. Turns it over again and again until its taut string in the perfect, infinitely complex machine of his ordered mind snaps.

"It was an inspiring speech, though. Coming from someone who let me down."

He lets go, steps back--pulling out of Solus' hold just as abruptly.

"What am I even supposed to do with that? Like I'll really just drop everything I've ever fucking stood for and throw up my hands, lean extra hard on my drawl when I say that sounds just dandy? Fuck!"

He shakes his head, at first aggressively but then more sadly. Tiredly. In disappointment.

"You know what? I deserve this. I one hundred percent do. For failing to make the basic-ass choice that would have prevented all of this from happening to begin with."
uber_marionettist: Did I, did I? (No I never really had it in me)

[personal profile] uber_marionettist 2020-09-11 10:45 pm (UTC)(link)
Solus is a broken record. He's repeating himself. Dirk feels like he's been repeating himself, like everything is repeating again and he can't catch the moment to make this one stick, running himself through again and again on the point he was making--

"You don't know as much about my soul as you think you do. You keep kowtowing and dragging yourself facefirst through the mud for me, talking about how sorry you are, but you don't have the first fucking clue--you have no fucking idea how much better it is this way. You haven't seen what happens when I'm the one fucking shit up." He pauses, bitterness and exhaustion suddenly surging over the hysteria in a fresh wave.

"It's just about the only thing you don't understand." He's hyperaware of his own respiration--the deep breaths, heavy and shaking. Are his hands still shaking?

No. He feels shaky, though--not his hands, but all of him. Not trembling, there's no fear involved, just... just unsteady. Unstable. No, he is stable. It's everything else that isn't. Everything else--his body, not him. Fuck.

He manages a laugh, almost chokes on the bitterness and his hoarse throat. His eyes burn, his lungs burn, his chest burns and tightens and he starts to pace around the room, gathering--pointlessly--smuppets in his arms as he talks.

"But it's my fault you didn't know any better. And we could have been... could have been dragging the bloating corpse of this thing along for miles, for months, propping up the sad remains..."

He feels like he's struggling for breath. Like he should be gasping. He's drowning on nothing, though. Or on anger? Is this anger?

"It was unethical of me, letting you think you talked me into this, making sure I could still say I'd 'warned' you instead of waiting for a chance to show you. I pretty much set you up to fail. I do that."
uber_marionettist: The unavoidable sun (Here it comes)

[personal profile] uber_marionettist 2020-09-12 05:45 am (UTC)(link)
To Dirk, this doesn't feel liike slipping. It feels like purchase. Like his nail catching a patch of rust, a rivet, his thumb hooking onto a strut just before the drop.

He turns around, his arms overflowing with kiwi green, lemon yellow, blood cherry candy red, and deeply offensive purple noodle-like arms, daintily-toed feet, impudently-jutting buttocks, and provocatively wobbling proboscides.

"That's a damn good question." He sounds tired, frustrated even--but his affected drawl has sharp corners.

He strides back towards Solus in three, four quick steps, but stops at the 'head' of his frameless mattress bed, where he opens his arms unceremoniously to dump the whole jumble of wall-eyed, tuft-haired homunculike puppets on the floor.

A lone orange smuppet tumbles away down the sloping pillow pile and lies with its limbs arrayed towards the ceiling, like a lewd inversion of Kafka's doomed arthropodiform salesman.

Dirk sits down on the edge of the mattress, his heart not so much racing as buzzing on some subatomic level. His thoughts are--not heavy, but dense. Impossibly crowded and full, dense and swelling and splitting his paper skull open like a blown eggshell. He feels like... if he could just shed this body, if it could fizzle into electricity and ozone and particulate, he would feel better. His head and throat and neck wouldn't hurt, anyway.

He pauses to pick a tuft of fleecy red from under his thumbnail and shakes it onto the puppet pile, then lifts his head to regard Emet with a face carved from stone.

"Sorry, is this not what you expected? It should have been. But sure. Let's make a discourse of it. What do you fucking think? Personally, I see it as justifying itself in one of two ways. In the short term, of course, I had plausible deniability for a 'relationship' that I knew would be defined by a clear imbalance of power--in my favour. Why I wanted it that way shouldn't take too much imagination on your end. And when you inevitably backed out or faltered or crumpled under the weight--the pressure of reality. Or... you know, otherwise went belly-up, poisoned by overexposure to yours truly--I would have the moral high ground. After all, I did warn you."

A trap set by a morally destitute monster, indifferent to the grief or suffering inflicted by his hand. A machinist can't afford to waste time on the feelings of each machine or its parts.

"That's the first 'end' to which your ignorance was my means. Do you want me to continue? I can. I don't think you'll like it, but I don't like what you're saying, so we're even."
uber_marionettist: Did I, did I? (No I never really had it in me)

[personal profile] uber_marionettist 2020-09-12 06:37 pm (UTC)(link)
The last time he may do so.

Yeah.

He wishes--no, he doesn't. He wouldn't wish this on anyone. Except maybe himself. That'd teach him a fucking lesson.

If only it didn't drag out like this. He wishes he could say that it wasn't needed. That it's done. He's learned his lesson. This--the worst part--it can be over any time now. That's all he wants now. For it to be over with.

But he knows himself, knows his hubris and his pride and his stubborn inability to ever really learn, let alone change. That's why this is necessary.

Here's the part where he spills his guts, where he reaches into himself and yanks it out--yanks it all out, undoes the knot clenched tight and pours his heart out with all the blood and bile and bitterness that's built up. Clean house. Purge it all. And then go through the cumulative mess, dissecting and describing until there's nothing left.

The only problem is that every time he tries to steer his thoughts directly 'onto' the topic of Solus, they end up someplace else. He can't tell if it's sudden, like teleportation, an instantaneous shifting of his mind around him, or if he's just got terrible control--?

Or maybe he's not allowed to. The heart comes last. That's right. It's a surprise. He has to dig for it, hold up the chunks and ribbons of his gruesome mistakes until discovery.

Is there a heart? Or isn't there?

"False equivalent." His voice goes cold, and he feels that.

He knows he has--or had--feelings about this man. He knows he has--or had--what he thought was an understanding of him. Now he feels like he's looking at a stranger. Like he doesn't understand him at all.

Or he felt like that, anyway. This whole sick and sickening time, until just now.

Now he sees it again. One piece of it. A sameness, a glimpse in the mirror.

"When it comes to duty, you can't break. You do that, and you're not the one who suffers. You can suffer infinitely, will suffer infinitely, if you have to. And you do, when your suffering is the price of that happy ending. Which it is."

Who's controlling his thoughts? Is it him? Who is thinking them? Is he the one thinking, or is he simply the one experiencing those thoughts? Does the mind ever truly control the mind?

Does it ever even matter?

"Friends. Family. Love. These are ideals. Aspirational in the human sense. You can't afford to give them more weight. That's not fair. Sacrifices must be made. It's not you sacrificing, though. You are what you sacrifice, for the sake of what needs to happen. What needs to get done. Your comfort doesn't matter. Your pain doesn't matter either. They're not required, but they kinda are."

These are his thoughts. He knows them well.

How is it they're Solus' too? How can they be? How can these be facts that Solus knows, that they both know--

"You know this already, though."

He thought Solus understood. That he knew this. At least this. Didn't he just see it? Or was that just himself again?

"I figured, who cares? Jake? Not likely."

He can almost hear it. Jake's too-eager, oh-so-sincere 'congratulations,' the clap on the back that he'll be feeling well after his hand is gone, as aggressively enthusiastic as Jake's willingness to embrace any development that would absolve himself of any connection that could tie him down.

"I figured you were flattering me, but your 'respect' was part of the game. Your 'lure' to reel me in. Maybe that shit works on other guys, but me? I knew it. You knew it. It was all above board. I didn't have to care. What's the harm in soaking up some of your obvious adoration, having a little quote-end-quote 'fun?' We both knew what was going to happen."

Does anyone in this whole supposed universe besides him exist, or is it just him? Is he seeing other people at all, or are they still just more of him--??

"People like us don't get happy endings."

No wonder Solus was so easy to love.

Now, where's the part that's easy to hate?
uber_marionettist: (Did they ask: HOW is the narrator?)

[personal profile] uber_marionettist 2020-09-13 05:37 am (UTC)(link)
What is he supposed to say to that?

What in the goddamn is he supposed to say?

Every other word is a lancet, a 20 gauge needle in his heart, cold and piercing where he leaves it jutting out of Dirk's torso. If this were more real and less metaphor, the resulting sight would earn Dirk the sympathy of even one of Kanaya's much-abused pincushions. It would also make a tremendous mess.

All that blood.

Not as much mess as he could make, though. Don't pull the needles out and it's practically manageable, he thinks to himself. The mess and the pain both.

We are fate's sufferers, not because we choose, but because we can weather it. That, when the call of duty rings, we do not ignore it. No. Because the world comes first. Everyone.... they all come first, but they too were never meant to be normal. Never were, never would be. Their relationships and emotions were never going to matter. What mattered required sacrifices, and he would be the one ensuring those were made.

I found a man who could understand the burden I have carried, understood my mind, and I came to understand him and his.

But he's wrong. The closest Dirk ever came to abandoning duty, of failing to live up to his own potentials, was when he tried not to. When he tried to be human, to love and care and grow like an actual person with wishes and needs that could actually be met. He understands now his mistake. Mistakes. Plural. Here he is again. For the same mistake(s). It would be so much easier if Solus only loved him. If he didn't understand. If he, Dirk, didn't understand. If he didn't want to hear one more joke, quipped from his sharp observational humour. Hear one more story, hold one more passionate, sleepless night of discourse. If only he were not such a fervent and animated audience and co-conspirator, this tirelessly devoted servant to his God.

He doesn't move from where he's seated, shoulders hunched, peering wearily at his ex- through his dark shades. At the offered hand. An invitation.

If only his warm hands on Dirk's weren't so firm and gentle at the same time, they could be anyone's. They're strong enough.

But should Dirk need him pretend to be someone else--

It wells up so fast, so suddenly, a torrent of it, he barely chokes it off before it reaches his face.

It hurts. The whole ocean in him, that he could pour out of his heart, drown himself and Hades and the whole room, the whole world if he let it. An endless, gushing deluge, cascading between his ribs, out of his eyes and his mouth. Flooding. Devouring.

It's too much. He's the only barrier, and he contains it the way he contains himself. Barely.

He knows what Solus wants. He wishes he could give it to him.

He really, really does.

But that would be a mistake.

He shakes his head stiffly.

"You know I can't take that."

Just... go.

Take the hint.

Before this becomes a(nother) fight.
uber_marionettist: (He's going for speed)

[personal profile] uber_marionettist 2020-09-14 04:32 am (UTC)(link)
The element of surprise is fully on his side; short of Emet Solus Hades explicitly stating his intended action, Dirk would not and could not have anticipated a stunt like this. Even as it physically happens, his response is more shock and confusion than distress or temper. Struggling doesn't work for him--not with his arms pinned and his lungs out of breath and his shades knocked crooked where he snagged them on the breast after his face smacked into the soft, dark velvet over Emet's breast.

There are a few seconds where it's a fight, though, albeit a truly pathetic one. Dirk wriggling and straining to pull out of the warm satin embrace, jaw pressed and teeth gritted, eyes screwed shut with the effort--not just the physical effort of trying to break free, but of self-control, containment of a maelstrom, a catastrophic event of hurricane force threatening to overtake him and rip him apart right here in front of Emet and

He's struggling to breathe

And

He's choking on his breath

And

And it's a good thing Emet can't see his face from this angle, because it's doing something he can just about feel,

Or he could if it wasn't all coming down on him now, crashing down like another tritely oceanic metaphor, a tidal wave or tsunami probably, filling his mouth and nose with salt water, burning his eyes--yes, just like that, just like now, right now.

Oh. Oh no. No, no, fuck. Fuck this. Fuck me. Not now. Not like this. Please, for one fucking second more, just hold it the fuck in, I swear to fuck--

He can't process this. Any of it, let alone all of it. There's just too damn much. It's cumulative, it's exponential, it's a thousand discrete specifics that he can't reconcile or solve or even absorb any more. He doesn't want it to stop but he wants it to--to just--

Fuck.

"You know this is fucking weird," he manages to gasp out, trying not to sound weepy, trying not to sound wet and raw and muscous filled and failing entirely. It's followed by a hard sniff, the sound of a grief inchoate--or maybe just of Dirk trying to retain control of something in the face of an ongoingly disgusting and humiliating display.
Edited 2020-09-14 04:38 (UTC)
uber_marionettist: (Did they ask: HOW is the narrator?)

[personal profile] uber_marionettist 2020-09-14 10:16 pm (UTC)(link)
Nothing makes sense right now. Dirk can feel the tears, the way his stomach clenches, his lips dry, parting as he gasps for breath like a caught fish, fighting his own body to stop this before it gets out of control.

Emet's strength works against him; the pressure and warmth of embrace, the incomprehensibility of him--a real body, a tangible and whole person he's hardly known and barely tested, who he knows in the full picture doesn't matter at all.

Why?

How?

It doesn't make sense. None of it does.

What Emet wants, what he loves is implacable and infinite, unstoppable and irredeemable. Emet wants a God, aspires to partnership with something powerful and real. That, Dirk can understand. What he doesn't understand--he doesn't understand this. This tight hold, this petting him like a dog, these infantilising, soothing murmurs to free his 'emotions.' To feel better.

No. This isn't right. This isn't real. It isn't him, who he is. What he is. He's trapped in this body, heaving and weeping and choking on its own meat and materiality. Synapses knit together by electrochemical impulse, popping and cracking at nanoscopic scale inside three pounds of wet and wrinkled fat. This is not where he belongs.

His ultimate self is the tipping point, the equation that solves for nothing but hate or animosity, the difference between love and antipathy, ending inevitably in silence and weeks or months of no contact from anyone. Like Roxy. Fuck, he fucked that one up so bad. He knows Dave would have done the same and worse, is already on his way and would be so twice if really knowing didn't come with ascension, wasn't part of his elevation to the state they both deserved. Not Jane, though, at least not Jane. If only because he didn't tell Jane.

Why and how Emet could turn his back on his own brain ghost, his own perfect man, his peerless lover, his singleminded, soul-deep partner? How, if even Jake could turn his back on him--his own and only hope, always letting him down one last time--

How could the full depth and breadth of his vast and uncounted selfhood be so quickly flattened into something so pathetic and stupid and helpless and shallow?

He hates to think about Jake at all, but he can't not; not when he would have done anything, did everything, carried the load for both of them. He remembers how it felt, being thirteen and too needy and too insecure, desperate for anything he could get. Jake's enthusiasm, his insensitivity and blind encouragement and the sincerity of both. He remembers being sixteen, too aggressive and too afraid of fucking it up, consumed by the need to have something for himself. Someone. Jake's silver tongue and his willing complicity, his seemingly mutual return of those affections, the whole thing--

He tried to help. He tried to guide him. To fix things. To fix him. Jake could be that for him, if he'd just let Dirk fix it. All Dirk needed was Jake, and Jake didn't want him. Not all of him. Or any of him.

Destroying himself, again and again. Reconciliation, compromise, "forgetting" or "slipping up" or just hurting each other, providing the ammunition. Bullets in a pistol, loading them and cocking it and putting it back in Jake's hand.

Learning what it means to want something more than you want to want it. The high of attaining it, of really having it, or thinking you do. Of immersing yourself in the best feelings of your entire short (all too long) life. The terror and agony of losing it all, of grasping for it again and again. Of seeing and feeling it not so much slip through his fingers as discovering that he had never had it, the betrayal and anger and shame. Learning that his happiness (like all happinesses) was a lie, someone else's escape clause--and once he was free of his original pursuer, he too became something unwanted and unwelcome, another 'bad' from which to escape. How much it hurt. How much it still hurts, layer after layer of bandage applied retroactively and ripped off again, bloody and raw and still beating against his calloused palms, his own fingers dug deep into the bloody tissue.

And then the fighting.

Fighting, fighting, fighting, fighting. That's all they had left. All that either had in them. Because of Dirk, of course.

He can't remember a fight he's gotten into with Emet. It's only been a couple of months. There's time. There's so much time, nothing but time, an infinite stretch of infinite seconds and all they have to do is break it--

It's not fair, it's not fair at all and he feels so fucking disingenuous, comparing them at all, comparing either of them, any part of this or that. How could he? How could he not? When all Emet wants is to embrace him and offer him sweet seductive murmurs of vulnerability like that isn't sabotage of the worst kind. He knows it, and he knows Emet knows it, and he gave Jake months to know it, too. To approach him like this, to approach God. To test and be tested, to take what was offered and rise up and take him in his arms and it doesn't matter because Jake never worshipped him, never worshipped the way Dirk worshipped, loved the way Dirk knew he was meant to love. Jake turned his back on God, worshipping instead the bottle, the party hookup, his own blameless bubble of ego.

Dirk would have given him everything, and he refused. He refused to even try, even just one last time, one more, please, Jake I'm begging you here, and Dirk knows what he doesn't know, knows that he knew nothing good could come from what Dirk had to offer, from what he was becoming, nevermind what he had already been and already was and already done. He could have had everything, but he didn't want to be responsible for all that. Not even Dirk. Especially not Dirk.

Every memory piling up in his head. His memories. Even the ones that weren't his memories were, they were his and that was him he was, is, there and here. Losing his mind. Going insane in a miserable paradise. A fleeting moment of almost-happiness, soured by the lie. His first kiss, experienced without lips or skin or a body, the decapitated head of the 'real thing' a messy necessity. Feeling nothing. Knowing why, knowing jealousy and resentment and hate. Hate for himself and hate for Dirk and hate for the hate. Hours and hours of secret, locked logs. Desperately begging the boy he wanted to acknowledge him as a person, to let him be real. Just for a second. Hours and hours ERP and more with a girl, a girl who isn't even a girl any more, who maybe never was. Who Dirk should have loved but never could, not the way he should have, not the way she deserved. Knowing he was her escapist fantasy, an unloved substitute for an unlovable man. Inescapable pasts and presents.

It hurts. It hurts and it only makes sense because people like him don't get happy endings, because the pain is inevitable and his suffering serves a purpose, and he knows on whose neck the sword of a Just death will come down and that's fine, that's fine, that's all he needs to keep going and he will, he will fight like hell for his right to that end, so why does he even care? Why does this still fucking hurt?

He's actually sobbing, he realises, from about a thousand layers of himself away. He's sobbing and he's absolutely ruining Emet's expensive suit, velvet isn't meant for weeping. There is snot in his throat and in his nose which is crushed against Emet's chest and in his mouth which is full of spit and tears, still so dry it makes his raw throat feel swollen and tender in an unpleasant way. It's not really clear whether he starts coughing or choking first, but Emet's hand is rubbing up and down his back, his glasses pressing painful lines into his damp and swollen face as he tries again to pull back, to regain some fucking control of himself as he comes up for air--physically, mentally, and beyond even that.

"Fuck you." It's paired with a rough gasp and it's followed by a hiccough, a sharp pain across his chest as his sore and strained diaphragm convulses over his ribs. He hiccoughs again. And then again.

He wants to fucking die. He hiccoughs again.

The worst possible involuntary physiological response for the moment.

Second worst.

The worst is either an erection or vomiting.

And right now he can't rule out either; he's a fucking mess and he hates it, hates Emet, hates everything about this and most of all himself, the self he was leaving behind, whose hand closed over his ankle and yanked him back to land on his fucking face. A real slapstick comedy, a Grade A pratfall. Boom-down, instantly, like a bag of fucking cement. He needs space--to breathe--to get a drink (of water)--something, anything to fucking collect himself.
Edited 2020-09-15 02:12 (UTC)
uber_marionettist: (And plotting the course)

[personal profile] uber_marionettist 2020-09-15 04:16 am (UTC)(link)
If Emet had let him, Dirk would have walked clear across the room. He's prevented from doing that much, though, at least not without a fight, so he stands in place, the corners of his mouth still pulled down into an uncharacteristically dramatic frown, and considers adjusting his shades--now badly askew--but his hands pause midair; the frames are barely on his face, and the lenses are an ungodly mess inside and out. He tips his head down instead, sniffing loudly and unattractively as they drop off his face and into his waiting hands.

Then he sniffs again, coughing, hiccoughs again mid-cough--there is no question of it now. He definitely has the hiccups.

"It was so terribly unnecessary, you mean." There is no love, no kindness or appreciation at all in Dirk's tone. It's coarse and rough, ugly in a raw way--a way that is not entirely about the state of his vocal cords. He gives the handkerchief an unfriendly glance. Which is accompanied by a hiccup, and another cough.

"I hope you're happy with it. It never happened, and it's--" Hiccup. "--not happening again." Hiccup.

Holy shit. He doesn't want this. He definitely didn't need it.

"There won't be tears to 'replace' anything that did or not happen tonight. And I'm not your 'dear boy,' I'm not a 'boy' or dear, and I'm especially not yours. I don't know what you thought would happen, actually," his voice is so hoarse and speaking is so physically painful that the hiccoughs are almost secondary to the rest of his miserable experience and he's not done, not by a long nautical mile. "I take it this was your plan. What was the next step? Is this that 'trauma bonding' thing I hear so much about? I soak your suit with facial fluids at the rate of, what a solid 2 microlitres of fluid a minute, then I melt into your arms and I'm so grateful you oiled the rusted gears of my broken-up mechanical heart and everything is forgiven? Well, you're wrong. I don't appreciate it and I don't fucking forgive you. I definitely don't feel better, either. Frankly, I might as well have just died instead. That would have spared both of us, and especially me. From you. From me. From this. Everything."

The whole time he's talking, he's still got the hiccoughs, and every few seconds or syllables, his shoulders jerk and his throat closes as his diaphragm spasms painfully, but he doesn't pause to acknowledge it, not once.

His thoughts are spinning, gears turning so fast they slip--producing exactly nothing. It's the most overproductive, overclocked Nothing he's ever had. He feels swollen and sensitive, snotty and shrivelled dry. Not just physically, but emotionally and psychologically, he's like a weird, gross balloon. He can feel his meninges and the throbbing headache of dehydration and whatever the hell else was lost with the tears and the dignity and the self-control. In all ways but literally, he's wandering around the room, picking up parts of himself, carrying them around while he looks for the first piece that would let him put it all back together.

He stops talking only after the bitterness piles up so deep that it grinds it all back down to a halt, the resentment and hollow, empty resonating shell of inchoate monstrosity and the want for a reprieve, a reward in the rest he has yet to receive.

There's a beat. He's eyeing Emet. Silence, save for the hiccups. A look of such severe unhappiness that it really transforms his entire face. Wet eyes, wet cheeks, runny nose. Hiccough.

He caves to discomfort and dishevelment, taking the handkerchief and applying it to his shades in a pointedly unhurried way. He hiccups again, and makes a low, wet sound of restrained misery in the back of his throat.
Edited 2020-09-15 05:06 (UTC)
uber_marionettist: (When there's no one left to pawn)

[personal profile] uber_marionettist 2020-09-17 10:57 am (UTC)(link)
Dirk narrows his eyes just a hair when Solus characterises his accusation of a plan as 'nefarious.' Not just because protesting his iniquity is hypocritical to the extreme, but because the reason Dirk connected those dots to begin with is based in firsthand experience; Jake is a ready crier, and Dirk's reaped the benefits of that specific gambit more than once in his life.

He doesn't move when Solus reaches out for him again--partially it's a loss of ways to respond, and partially it's a refusal to gratify him. He stands there stiff and still, unmoving like a stone. (Okay, a stone with the hiccups. Fuck off.) In a way, that's what makes it possible, what gives him the opportunity to process.

Solus has, for quite a lot of this conversation, been a real broken record. No, he doesn't want to be forgiven. No, he doesn't expect to be forgiven. No, he doesn't deserve to be forgiven. Oh, he cares so much about how Dirk is feeling. Oh, he wants so much to comfort Dirk through his feelings. Oh, he is just so sorry, anything he can possibly do is not enough, etc. It's hard to deal with for a lot of reasons, and it was giving Dirk problems even before thinking felt less like a failed attempt at breathing a solid object.

But something about the last few minutes (has it only been a few minutes? how long was he slipping, how much time did he spend on this before he pulled himself together?) has been... off. Not in any clearly identifiable way, nothing he could point an intellectual finger at and declare eureka!

Or maybe he was just too distracted internally to see it.

"Is this..." he says slowly, like he’s putting the pieces together in his head--though now it's more like he's watching a highlighted replay of the pieces' assembly inside his own head. His eyes wander, but in a way that leaves them fixed squarely on Solus' face.

“Is this--" Hiccup. "--a fetish thing? You're a dacryphiliac?”

He stares at Solus with an intensity that has bypassed reading and more approaches 'penetration.' Any one of the details previous might have been dismissable. Even the smaller, less damning combinations were--if not excusable or unnoticed--simply not enough of a picture. That breathless pause. The besotted look on his face. The tender, loving way he cups Dirk's head and the gently competent and confidently firm way he wipes Dirk's literal tears from his face--

"I'm right, aren't I? You're not--" Hiccup. "--just horny for this. You're down--" Hiccup. "--downright infatuated."

He wipes his nose and mouth--not very gently, and making no attempt to spare Solus' handkerchief the worst of his slick, sweaty, spit-and-snot smeared face. Then he pauses, placing his shades back on his face; the glass touches his tear-damp cheeks in a way that feels slightly sticky, the nosepads sitting not quite right against his swollen eyes.

"Is it the crying in general, or is it my crying specifically that's getting you hard?" Are the hiccups done? Please, for the love of fuck, let them be done. (In)dignity aside (what dignity), his sternum's going to split like a twig if they don't.

"Do you have to be the one to make a guy cry?"

He keeps a much cooler tone, for all his throat is hot and swollen like Jake's face in anaphylaxis. Like Solus' fat fucking cock in those trousers of his.

"Don't deny it. It's all over your face."

His accompanying downward glance is hidden behind his shades.
Edited 2020-09-17 14:29 (UTC)
uber_marionettist: (Away from every memory of you)

[personal profile] uber_marionettist 2020-09-18 04:41 am (UTC)(link)
There are a lot of reasons Dirk hasn't moved.

Some of it is simply exhaustion. It's the choice between energy expended or conserved for the point he's making--not to mention the clarity or efficacy of that point. Resistance or retreat of any kind, he calculates through the headache that throbs steadily across the parched membranes inside his skull, will be assessed as vulnerability. Either weakness or fodder for what now appears to be a sexually depraved complex of empathy-derivative eroticism. No matter what Solus says about it, he hasn't yet disproved or really even denied that's the case.

But also: he's exhausted. Not yet running on empty, but close enough. He feels empty. A wrung-out husk, drained and scoured and crispy in the sun. He can't commit to that image, though, because that's not it, because he also feels heavy and worn, barren and bereft and dead in a very literal way. Yeah. Dead. That's it exactly. He's been dead before. It's like that. But this isn't yet over, and more is coming all the time--a nonstop barrage. Developments and happenings, twists and feints and acts and words.

So he doesn't push Solus away. Because not doing so is worse than the pain, the tightening clench of his heart mixed up with the false reassurance of the hand solid against on his back. And when Solus tries to push them together, he doesn't dig in his heels.

Except:

The heel of Dirk's hand intercepts Solus' mouth before he lands that hoped-for kiss, leather-covered palm and thickly calloused fingers forming a flat surface into which Solus' face collides. There's no special force behind it--there could have been, obviously, Dirk is more than capable of breaking a man's nose and knocking some incisors loose as a BOGO take-an-additional-25%-off blue light special in the process.

Solus knows this, and he knows Solus knows it.

That's part of why he didn't.

The other reason is made apparent when the hand that was full of handkerchief just a second ago instead closes over the groin of Solus' fancy brushed-cotton pants, seizing an expert handful of the full package with--again--a minimal amount of force, but more than enough to feel the familiar shape of Solus' half-hard cock against his gloved palm.

"That's what I thought."

Hiccups or no, his voice is still thick with cotton and mucous.
Edited 2020-09-18 05:09 (UTC)
uber_marionettist: (Your soul is able)

[personal profile] uber_marionettist 2020-09-18 08:17 pm (UTC)(link)
There.

Finally.

Right there.

The exact conditions he needed. Does he want them? Is this what he was looking for? Or just what he's used to, what he's good at, what he knows?

It doesn't matter.

This is what happens next:

"In that case, it should be no problem when I tell you to get out."

He hasn't let go of Solus' prize and jewels; he lets one hand drop to his side, but it isn't the one holding Solus' package. If anything, his grip tightens a little, purposefully curling his fingers to better cup his testis.

"Turn around and walk. You keep saying how sorry you are, so prove it. You don't deserve gratification from this, katharos or orgasmos. You want my release? Then release me yourself."

Dirk's mouth has lost all trace of that all-too-revealing downturn and is simply a line. His own fully-function, all-natural 'mask.' His voice is taut, though, strained to its limit by fatigue he wants Solus to derive as purely physical.

"Take your ill-favoured remnant of your world with you."
uber_marionettist: (Paint me as a villain)

[personal profile] uber_marionettist 2020-09-18 10:27 pm (UTC)(link)
Once upon a time, that might have worked on him. The knowledge of that is a kick in the gut, really; a reminder of everything he knows about Solus, every intimate detail, every little tell to his thoughts and insight to his motives. It's an unexpected throb of hurt, an infection swelling a wound he thought was clean.

He stands there for the duration of one additional breath, one beat of pause to make Solus sweat. Enough time for the abrupt, bitter swell of grief anger resentment to ebb even a little.

Then he lets go, his eyes locked on Solus' as he steps back with dismissive briskness.

"I just don't think your heart is in it any more."

In other words: if Solus wanted that gambit to work, he shouldn't have tried that 'smile.'
uber_marionettist: (Away from every memory of you)

[personal profile] uber_marionettist 2020-09-22 04:03 am (UTC)(link)
Desire can, in the right circumstances, come down to the desire to put it off just a few more minutes, to forestall a miserable inevitability--and Dirk has never been good at letting go. That alone would be impetus enough.

Nevermind the look Solus gives his crotch--though under any other circumstance, that would have given him more than a twinge of arousal. Now, however, he feels only that, an uncertain flush of heat at the blatant attention, affection marred by doubt and desperation. A dubious turn-on. But he is desperate. And he knows that he is. At this point, there's not much else to say between them. 'Get out' was the last of it, and the worst part comes after--once Solus obeys and the door closes, leaving Dirk completely alone.

Again.

He doesn't like having his nose rubbed in it.

Because it's not rocket science, seriously.

That what Dirk wants is both physical and emotional takes barely even a surface-level reading. So the fact that he wants to be loved and feel loved, be wanted and feel wanted, and incorporates that into his sexuality should not come as any kind of surprise.

More surprising, perhaps, is that without that emotional connection, or even a desire for it, he finds the prospect not only unattractive but actively pretty repellent. But maybe it's not so unexpected--Dirk's logic is wound up tightly in his emotions, and vice versa.

But this and about a thousand, million other things are already spinning through his head as his ass hits the mattress, connecting gears in his ultimate machine--and though he had plenty of time to take Solus with him, he made the conscious choice not to. It's a choice that would not only be obvious to Solus--his having experienced firsthand how quickly and easily Dirk leverages his weight and centre of gravity against a bigger man--but which makes for a sure tell that Dirk's conflicted.

Why he didn't is... complicated, like everything else happening right now.

It's not like sex here and now would be a new low. He's done it before, time and time again--sometimes before the final slam of the door, sometimes waiting minutes, hours, days, weeks, or months before cracking under the weight of that post-schism silence or carefully-performed professional peace. Or in reverse, as Jake sat brokenly upon the couch or stood pathetically in the hall or collapsed in tearful repose on the bed. But.

It's the pattern. It feels bad. Raw. Pathetic and disgusting. But this time it's not his moral bankruptcy or his perverse nature or his moral deficit on display. At worst, he's holding up a mirror; the same mirror Solus claims to have held up to him.

Is this really just a fetish to him (Solus)?

Does he (Dirk) care?

No. He doesn't. He sits back on the mattress, resting his hands behind him to spread his legs a bit wider, the corner of his mouth quirking up in a short-lived mockery of Solus' own mien.

"Okay, okay. You made your point. You want one for the road? Fine. I got what you want right here."
Edited 2020-09-22 21:55 (UTC)
uber_marionettist: The unavoidable sun (Here it comes)

[personal profile] uber_marionettist 2020-09-23 01:54 am (UTC)(link)
And then both were consumed by darkness of a modest and PG nature. Obviously.